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A Ukrainian Banker Offers a $540,000 Reward to Anyone Who Can Attack Russia’s Victory Day Parade with a Drone

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The celebration of Victory Day in Russia is a time-honored tradition that marks the Soviet Union’s victory over Nazi Germany in World War II. This day is celebrated with a grand military parade in Moscow, where thousands of troops, tanks, missiles, and other military equipment are showcased.

However, a recent incident involving a Ukrainian banker has raised concerns about the safety of such events. The banker, whose name has not been disclosed, recently offered a reward of $540,000 to anyone who can attack Russia’s Victory Day Parade with a drone.

This statement by the Ukrainian banker is both alarming and irresponsible. It is important to remember that the Victory Day Parade is a symbol of Russia’s national pride and serves as a tribute to the heroic efforts of the Red Army during World War II. Any attempt to disrupt or attack the parade would not only endanger the lives of innocent civilians but also undermine the relationship between the two nations.

It is also important to note that the use of drones as weapons is becoming more common in conflicts worldwide. Drones have been used to attack military targets, spy on enemy forces, and even carry out assassinations. However, using a drone to attack a civilian event such as a parade is a heinous act of terrorism that should not be condoned.

The Ukrainian banker’s statement has drawn criticism from various quarters, including the Russian government, which has condemned it as an act of aggression. The Russian government has also called on the Ukrainian government to take action against the banker and ensure that such statements are not made in the future.

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In conclusion, the Ukrainian banker’s offer of a reward to anyone who can attack Russia’s Victory Day Parade with a drone is a dangerous and irresponsible statement. It not only endangers innocent lives but also undermines the relationship between the two nations. It is important for all parties involved to exercise restraint and work towards building a peaceful future for all.

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India

India applauds Israel and Hamas’ ceasefire agreement.

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The conflict was triggered by Hamas’s brazen terror attacks on southern Israel on October 7, 2023 that killed almost 1,200 people

India on Thursday welcomed the ceasefire deal reached between Israel and Hamas and reiterated its call for a return to a path of dialogue and diplomacy.

Negotiators from Israel and Hamas have agreed on a 42-day truce and hostage release, and the deal will come into effect on January 19, US President Joe Biden and Qatari Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani said on Wednesday. The truce comes after more than 460 days of war that has devastated Gaza.

“We welcome the announcement of the agreement for the release of hostages and a ceasefire in Gaza,” the external affairs ministry said in a brief statement.

“We hope this will lead to a safe and sustained supply of humanitarian assistance to the people of Gaza. We have consistently called for release of all hostages, ceasefire, and return to a path of dialogue and diplomacy,” the statement said.

The conflict was triggered by Hamas’s brazen terror attacks on southern Israel on October 7, 2023 that killed almost 1,200 people. More than 46,000 Palestinians have been killed in Israel’s retaliatory attacks and bombardment of the Gaza Strip.

Qatar’s prime minister told reporters that Israel and Hamas were still to conclude some logistical matters related to the ceasefire, while the office of the Israeli prime minister said in a statement that a number of details of the agreement remained unresolved. The deal also needs to be formally ratified by the Israeli cabinet and the government.

The initial phase of the ceasefire, set to last six weeks, will see a limited prisoner exchange, partial withdrawal of Israeli troops from Gaza and a surge of aid into the region. Thirty-three Israeli nationals taken hostage during the October 7 attacks will be released in exchange for a large number of Palestinian prisoners, according to reports.

Around 100 Israeli hostages are thought to be still in Gaza, though Israeli authorities believe some if them are dead.

India initially expressed solidarity with Israel after the attacks by Hamas, in line with its “zero tolerance” policy on terrorism, but it adopted a more nuanced position subsequently because of concerns expressed by Arab partners.

India has strong strategic ties with Israel while Arab states are key sources of energy and have developed stronger defence and security ties with India in the past decade. India also had significant concerns about the potential expansion of the conflict because West Asia is home to nine million Indians, with almost six million of them concentrated in Saudi Arabia and the United Arab Emirates.

As the war dragged on, India repeatedly urged Israel to be mindful of humanitarian concerns in its response. The Indian side also called for the unimpeded provision of humanitarian aid to the people of Gaza and a return to the path of dialogue and diplomacy aimed at finding a two-state solution.

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Numerous people died as a result of the real-life violence that inspired Squid Game, and survivors expressed frustration with the Netflix series.

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Real-life violence that inspired Squid Game left countless dead, survivors were ‘frustrated’ by Netflix show

The Ssangyong strikes of 2009, which engulfed a car factory in Korea, were the inspiration behind Netflix’s Squid Game.

A factory turned into a battlefield, riot police armed with tasers and an activist who spent 100 days atop a chimney — the unrest that inspired Netflix’s most successful show ever has all the hallmarks of a TV drama.

This month sees the release of the second season of Squid Game, a dystopian vision of South Korea where desperate people compete in deadly versions of traditional children’s games for a massive cash prize. (Also read: Squid Game creator Hwang Dong-hyuk likens show’s violent game to US election, S2 will ask ‘is majority always right?’)

But while the show itself is a work of fiction, Hwang Dong-hyuk, its director and writer, has said the experiences of the main character Gi-hun, a laid-off worker, were inspired by the violent Ssangyong strikes in 2009.

“I wanted to show that any ordinary middle-class person in the world we live in today can fall to the bottom of the economic ladder overnight,” he has said.

In May 2009, Ssangyong, a struggling car giant taken over by a consortium of banks and private investors, announced it was laying off more than 2,600 people, or nearly 40 percent of its workforce.

That was the beginning of an occupation of the factory and a 77-day strike that ended in clashes between strikers armed with slingshots and steel pipes and riot police wielding rubber bullets and tasers. Many union members were severely beaten, and some were jailed.

‘Many lost their lives’
The conflict did not end there. Five years later, union leader Lee Chang-kun held a sit-in for 100 days on top of one of the factory’s chimneys to protest a sentence in favour of Ssangyong against the strikers.

He was supplied with food from a basket attached to a rope by supporters and endured hallucinations of a tent rope transformed into a writhing snake.

Some who experienced the unrest struggled to discuss Squid Game because of the trauma they endured, Lee told AFP.

The repercussions of the strike, compounded by protracted legal battles, caused significant financial and mental strain for workers and their families, resulting in around 30 deaths by suicide and stress-related issues, Lee said. “Many have lost their lives. People had to suffer for too long,” he said.

He vividly remembers the police helicopters circling overhead, creating intense winds that ripped away workers’ raincoats. Lee said he felt he could not give up.

“We were seen as incompetent breadwinners and outdated labour activists who had lost their minds,” he said. “Police kept beating us even after we fell unconscious — this happened at our workplace, and it was broadcast for so many to see.”

Lee said he had been moved by scenes in the first season of Squid Game where Gi-hun struggles not to betray his fellow competitors.

But he wished the show had spurred real-life change for workers in a country marked by economic inequality, tense industrial relations and deeply polarised politics. “Despite being widely discussed and consumed, it is disappointing that we have not channelled these conversations into more beneficial outcomes,” he said.

‘Shadow of state violence’
The success of Squid Game in 2021 left him feeling “empty and frustrated”. “At the time, it felt like the story of the Ssangyong workers had been reduced to a commodity in the series,” Lee told AFP.

Squid Game, the streaming platform’s most-watched series of all time, is seen as embodying the country’s rise to a global cultural powerhouse, part of the Korean wave alongside the Oscar-winning Parasite and K-pop stars such as BTS.

But its second season comes as the Asian democracy finds itself embroiled in some of its worst political turmoil in decades, triggered by conservative President Yoon Suk Yeol’s failed bid to impose martial law this month.

Yoon has since been impeached and suspended from duties pending a ruling by the Constitutional Court.

That declaration of martial law risked sending the Korean wave “into the abyss”, around 3,000 people in the film industry, including “Parasite” director Bong Joon-ho, said in a letter following Yoon’s shocking decision.

Vladimir Tikhonov, a Korean studies professor at the University of Oslo, told AFP that some of South Korea’s most successful cultural products highlight state and capitalist violence.

“It is a noteworthy and interesting phenomenon — we still live in the shadow of state violence, and this state violence is a recurrent theme in highly successful cultural products.”

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Samantha Ruth Prabhu shared images of Kriti Sanon and Kiara Advani and pleaded with Raj and DK to let her to leave Citadel Honey Bunny.

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Samantha Ruth Prabhu begged Raj & DK to let her leave Citadel Honey Bunny; sent Kriti Sanon, Kiara Advani’s pictures

Samantha Ruth Prabhu felt that she would be unable to do justice to Citadel: Honey Bunny because of her health struggles.

Samantha Ruth Prabhu has transformed into an action star, first in part with her Telugu film Yashoda and now fully with the Amazon Prime Video series Citadel: Honey Bunny. The Raj & DK series features her as a spy and sees the actor perform many fight sequences. In a recent interview, Samantha opened up on how she shot the series while battling myositis and even begged the makers to replace her. (Also read: Varun Dhawan reveals he panicked, called for ‘pack up’ when Samantha Ruth Prabhu collapsed on Citadel: Honey Bunny set)

Samantha on wanting to leave Citadel Honey Bunny
In a conversation with Galatta India, Samantha revealed that while she was initially excited to come on board Honey Bunny, she later felt she wouldn’t be able to do it. “I didn’t think that a few months later, I would request Raj & DK to choose another heroine because it was not possible. I believe I couldn’t do it because of the circumstances I was in,” she said. Myositis, an autoimmune disorder, took a toll on Samantha’s health, requiring hospitalisation.

The actor said she suggested names of other actors to the series directors Raj & DK, but they did not budge. “I actually sent them Kiara’s pictures and Kriti’s pictures. I remember sending four to them, saying ‘Oh my God, she is so hot. Just look at her. She will be amazing doing action. Please, I can’t do it,” said Samantha, adding, “They said we know them. You don’t have to introduce us to them. We know who they are.”

All about Citadel Honey Bunny
In the end, Samantha did finish Citadel: Honey Bunny, which also stars Varun Dhawan, Kay Kay Menon, and Saqib Saleem. The thriller is a prequel to the Russo Brothers’ Priyanka Chopra and Richard Madden-starrer Citadel. It began streaming on Amazon Prime Video last month and was trending as the number one show on the platform globally in its first week. Samantha’s performance received praise from critics and fans.

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