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Numerous people died as a result of the real-life violence that inspired Squid Game, and survivors expressed frustration with the Netflix series.
Real-life violence that inspired Squid Game left countless dead, survivors were ‘frustrated’ by Netflix show
The Ssangyong strikes of 2009, which engulfed a car factory in Korea, were the inspiration behind Netflix’s Squid Game.
A factory turned into a battlefield, riot police armed with tasers and an activist who spent 100 days atop a chimney — the unrest that inspired Netflix’s most successful show ever has all the hallmarks of a TV drama.
This month sees the release of the second season of Squid Game, a dystopian vision of South Korea where desperate people compete in deadly versions of traditional children’s games for a massive cash prize. (Also read: Squid Game creator Hwang Dong-hyuk likens show’s violent game to US election, S2 will ask ‘is majority always right?’)
But while the show itself is a work of fiction, Hwang Dong-hyuk, its director and writer, has said the experiences of the main character Gi-hun, a laid-off worker, were inspired by the violent Ssangyong strikes in 2009.
“I wanted to show that any ordinary middle-class person in the world we live in today can fall to the bottom of the economic ladder overnight,” he has said.
In May 2009, Ssangyong, a struggling car giant taken over by a consortium of banks and private investors, announced it was laying off more than 2,600 people, or nearly 40 percent of its workforce.
That was the beginning of an occupation of the factory and a 77-day strike that ended in clashes between strikers armed with slingshots and steel pipes and riot police wielding rubber bullets and tasers. Many union members were severely beaten, and some were jailed.
‘Many lost their lives’
The conflict did not end there. Five years later, union leader Lee Chang-kun held a sit-in for 100 days on top of one of the factory’s chimneys to protest a sentence in favour of Ssangyong against the strikers.
He was supplied with food from a basket attached to a rope by supporters and endured hallucinations of a tent rope transformed into a writhing snake.
Some who experienced the unrest struggled to discuss Squid Game because of the trauma they endured, Lee told AFP.
The repercussions of the strike, compounded by protracted legal battles, caused significant financial and mental strain for workers and their families, resulting in around 30 deaths by suicide and stress-related issues, Lee said. “Many have lost their lives. People had to suffer for too long,” he said.
He vividly remembers the police helicopters circling overhead, creating intense winds that ripped away workers’ raincoats. Lee said he felt he could not give up.
“We were seen as incompetent breadwinners and outdated labour activists who had lost their minds,” he said. “Police kept beating us even after we fell unconscious — this happened at our workplace, and it was broadcast for so many to see.”
Lee said he had been moved by scenes in the first season of Squid Game where Gi-hun struggles not to betray his fellow competitors.
But he wished the show had spurred real-life change for workers in a country marked by economic inequality, tense industrial relations and deeply polarised politics. “Despite being widely discussed and consumed, it is disappointing that we have not channelled these conversations into more beneficial outcomes,” he said.
‘Shadow of state violence’
The success of Squid Game in 2021 left him feeling “empty and frustrated”. “At the time, it felt like the story of the Ssangyong workers had been reduced to a commodity in the series,” Lee told AFP.
Squid Game, the streaming platform’s most-watched series of all time, is seen as embodying the country’s rise to a global cultural powerhouse, part of the Korean wave alongside the Oscar-winning Parasite and K-pop stars such as BTS.
But its second season comes as the Asian democracy finds itself embroiled in some of its worst political turmoil in decades, triggered by conservative President Yoon Suk Yeol’s failed bid to impose martial law this month.
Yoon has since been impeached and suspended from duties pending a ruling by the Constitutional Court.
That declaration of martial law risked sending the Korean wave “into the abyss”, around 3,000 people in the film industry, including “Parasite” director Bong Joon-ho, said in a letter following Yoon’s shocking decision.
Vladimir Tikhonov, a Korean studies professor at the University of Oslo, told AFP that some of South Korea’s most successful cultural products highlight state and capitalist violence.
“It is a noteworthy and interesting phenomenon — we still live in the shadow of state violence, and this state violence is a recurrent theme in highly successful cultural products.”
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Date of release for Paatal Lok 2: When will Jaideep Ahlawat and Ishwak Singh’s popular Prime Video show return?
Paatal Lok season 2 also stars Tillotama Shome, Nagesh Kukunoor, and Jahnu Barua in pivotal roles. The crime drama will premiere on Prime Video.
The blood-soaked world of Paatal Lok will be back next year. The second season of the crime thriller will be released on January 17, with actors Jaideep Ahlawat, Ishwak Singh and Gul Panag set to reprise their roles. Also read: Paatal Lok makers tease season two with new poster featuring Jaideep Ahlawat, fans say: ‘Don’t disappoint like Mirzapur’
Paatal Lok 2 gets a release date
On Monday, the makers of the show announced the release date of the show. The eight-episode series is created and executive-produced by Sudip Sharma. It is backed by Clean Slate Filmz Production in association with Eunoia Films LLP.
The new season will focus on the character of ‘Hathi Ram Chaudhary’ (Jaideep) and his team navigating an uncharted territory – “a perilous ‘fresh hell’ that will test them like never before”. The plot of the show remains under wraps.
Directed by Avinash Arun Dhaware, Paatal Lok season 2 will also star Tillotama Shome, Nagesh Kukunoor, and Jahnu Barua in pivotal roles. The crime drama will premiere on Prime Video.
Sudip Sharma is elated to finally open the second chapter in front of the fans.
“The overwhelming response to the first season filled me with immense gratitude and inspired me to craft stories that are raw, relatable, and intensely gripping. The streaming service also acted as a perfect medium to bring out unique storytelling to life, offering our team a platform to expose and expand our horizons in terms of visual representation. Collaborating with an exceptional team has been a privilege, and together we’ve elevated this drama to new heights, amplifying the themes of crime, mystery, and suspense,” said the creator and showrunner of the series.
About Pataal Lok
The first season of the crime thriller was released in May 2020, and became popular for its intense storyline. It was directed by Avinash Arun and Prosit Roy. The show featured Jaideep Ahlawat, Gul Panag, Neeraj Kabi, Swastika Mukherjee, Ishwak Singh, Abhishek Banerjee, Niharika Lyra Dutt, and Richa Chaturvedi.
The first chapter of the show delved deep into the underbelly of Indian society, with the spotlight on how the news industry works. It was the storytelling, unexpected twists, adrenaline-pumping thrills, and a thought-provoking climax which left a lasting impression on the viewers.
Now, the makers have stressed that the stakes are high in the second season. “This upcoming season promises to propel the drama barometer to new heights drawing viewers into an even darker, immersive and more treacherous world,” read the press note.
Talking about the upcoming season, Nikhil Madhok, Head of Originals, Prime Video India, said, “Paatal Lok made a huge impact with its gripping narrative, layered characters and raw portrayal of societal realities, earning critical acclaim and a massive fanbase. At Prime Video, we always prioritise two essential aspects across our shows —the unique and compelling nature of the stories we tell, and identifying the right time to bring those narratives to our audience. The phenomenal response to the first season of the neo-noir crime drama inspired us to delve even deeper into its immersive world with the second installment. While collaborating once again with Sudip, Avinash and the talented cast behind this groundbreaking series, we are excited to unveil a new chapter that pushes creative boundaries.”
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Fiery Priest 2 surges towards the conclusion with record highs as the Phone Rings’ ratings soar in the second half.
When the Phone Rings’ ratings shoot up in second half; Fiery Priest 2 charges toward finale with record highs
As 2025 approaches, fans are bidding farewell to their favorite K-dramas, while eagerly anticipating the release of Squid Game 2 on December 26.
As 2024 draws to a close, fans are bidding farewell to some beloved Korean dramas while eagerly anticipating new releases. The highly successful sequel to The Fiery Priest is approaching its finale, leaving fans wanting more. Meanwhile, MBC’s record-breaking drama, When the Phone Rings, has entered its second half, with a limited series run expected to continue until January. Amid this excitement continues to build for the highly anticipated release of Squid Game 2.
When The Phone Rings kicks second half with top ratings
Stealing the No. 2 position on Netflix and dominating the non-English TV series chart on the OTT platform, Yoo Yeon Seok and Chae So Bin’s starrer is also receiving rave viewership on national television. MBC’s show, which airs episodes every Friday and Saturday—with Friday ratings typically lower than weekend ones—kicked off the second half of its run with an average nationwide rating of 6.0 percent, according to Nielsen Korea.
The Fiery Priest 2 approaches finale with record ratings
On December 20, ahead of its highly anticipated finale, The Fiery Priest 2 continued its winning streak, securing first place in its time slot across all channels. According to Nielsen Korea, the penultimate episode achieved an impressive nationwide rating of 11.9 percent, a dramtic increase from the previous week’s episode. The series follows the gripping story of a hot-tempered priest and a determined detective who join forces to uncover the truth behind the mysterious death of a clergy member.
Squid Game 2 release date
Netflix’s smash hit Squid Game, the show that took the Hallyu wave to new heights, is set to return with its highly anticipated sequel this December 26. After rolling out a reality series inspired by the original, Netflix is now gearing up to bring back fan favorites Lee Jung Jae, Wi Ha Joon, and Lee Byung Hun in the lead roles for the next chapter.
The official synopsis of season 2 reads, “Three years after winning Squid Game, Player 456 gave up going to the States and comes back with a new resolution in his mind, Gi-hun once again dives into the mysterious survival game, starting another life-or-death game with new participants gathered to win the prize of 45.6 billion won.”
Meanwhile, Squid Game season 3 has also been confirmed by the cast. The show will make it to the OTT platform somewhere in 2025.
When the Stars Gossip release date
Lee Min Ho is making his return in 2025 with When the Stars Gossip, set to release on January 4. The series follows him as Gong Ryong, a doctor and tourist at a space station. Playing the secret son of Korea’s wealthiest conglomerate, Lee Min Ho’s path crosses with Commander Eve Kim, a perfectionist on her first mission. As their contrasting personalities clash, they develop undeniable chemistry.
According to Netflix, “the first “earth-to-space romance,” When the Stars Gossip offers a fresh take on a classic love story. Set in an environment where everything is limited — except the depth of their feelings — the series promises an emotional rollercoaster filled with laughter, challenges, and swoon-worthy moments.”
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On portraying Jinnah in Freedom at Midnight, Arif Zakaria: didn’t add any political overtones.
Arif Zakaria on playing Jinnah in Freedom at Midnight: Didn’t attach any political flavour to it
Arif Zakaria’s performance as Jinnah in Freedom at Midnight seems to have been well received, with many appreciating the nuanced approach to the character.
Arif Zakaria, who plays Muhammad Ali Jinnah, Pakistan’s first governor-general, in the recently released web show Freedom at Midnight, has faced little in the way of polarising feedback about his portrayal of the controversial figure. While historical characters like Jinnah often spark intense debate, Arif Zakaria’s performance seems to have been well received, with many appreciating the nuanced approach to the character.
“Personally, I haven’t received any polarising feedback,” the actor shares, adding, “The show has been well appreciated. Of course, people may have differing opinions, but I haven’t seen any extreme reactions so far. It’s natural for audiences to like or dislike parts of a story, but that’s true for any work—not just historical adaptations.”
Ask him if he was apprehensive about taking up a character that is unpopular in this part of the world and the actor promptly says “not really”. He explains, “It’s a challenging role—and as actors, we always talk about embracing challenges. So when such a challenge comes along, why shy away? I didn’t attach any political flavor to it. I treated him like an antagonist or anti-hero and worked within the confines of the script. The burden of history on this character makes people view it differently. But I consciously didn’t carry that weight. I stuck to what the script demanded and played the character accordingly.”
The 58-year-old further says, “I stripped down the reputation and approached the character as a lawyer from Mumbai—a man who followed a certain ideology, believed in what he thought was right, and had a strong sense of self-belief. For him, his right was right. He was educated, had a sister, and espoused a theory he firmly believed in until the end.”
Zakaria says he doesn’t feel daunted by the characters historical weight. “If tomorrow I get a chance to play someone like Bhimrao Ambedkar or any other historical figure, I would take it as another opportunity to perform to the best of my abilities,” says the actor, who has previously played Pakistan General Riaz Ahmed in Shoorveer (2022) and former Indian Prime Minister Jawaharlal Nehru in 1962: The War in the Hills (2021).
Ask him if he was apprehensive about taking up a character that is unpopular in this part of the world and the actor promptly says “not really”. He explains, “It’s a challenging role—and as actors, we always talk about embracing challenges. So when such a challenge comes along, why shy away? I didn’t attach any political flavor to it. I treated him like an antagonist or anti-hero and worked within the confines of the script. The burden of history on this character makes people view it differently. But I consciously didn’t carry that weight. I stuck to what the script demanded and played the character accordingly.”
The 58-year-old further says, “I stripped down the reputation and approached the character as a lawyer from Mumbai—a man who followed a certain ideology, believed in what he thought was right, and had a strong sense of self-belief. For him, his right was right. He was educated, had a sister, and espoused a theory he firmly believed in until the end.”
Zakaria says he doesn’t feel daunted by the characters historical weight. “If tomorrow I get a chance to play someone like Bhimrao Ambedkar or any other historical figure, I would take it as another opportunity to perform to the best of my abilities,” says the actor, who has previously played Pakistan General Riaz Ahmed in Shoorveer (2022) and former Indian Prime Minister Jawaharlal Nehru in 1962: The War in the Hills (2021).
Zakaria’s journey into the project began two years ago when he received a call from filmmaker Nikkhil Advani while he was abroad. “I had heard of the book Freedom at Midnight. It’s a big novel, very popular, and well-known,” he recalls. “I landed back in Mumbai and went to meet him (Advani). In the first meeting, he simply told me, ‘I want you to play this part. You look the part, and I think it would be good for the project’,” he further says, adding, “He had me read just one scene, which happens to be in Episode 2—the consultation scene with Nehru’s character. Getting on board was as simple as that.”
On if he drew inspiration from other actors who’ve played Jinnah on screen, Zakaria says he’s not seen any major performances. Sharing how he prepped to bring Jinnah to life on screen, he reveals, “There were extensive workshops and readings, and I even learnt how to smoke. That went on for about 9 to 10 months before we actually began shooting,” adding, “My approach was largely based on the material I had at hand—the script, historical research, and, of course, Jinnah’s tonality and presence, which can now be easily studied on YouTube. I worked on his voice and mannerisms while staying present and spontaneous during the shoot.”
But given the current political scenario in the country was he anxious about controversies erupting surrounding the show or the character? “Not at all. We live in very vague times—anything can become controversial. I could do a scene with a man and a woman, and addressing the woman in a certain way might spark controversy. You have to stick to what you believe is true,” Zakaria says, adding, “In this case, the writing was very strong, and the show is based on an award-winning book. Freedom at Midnight is a celebrated novel written by Larry Collins and Dominique Lapierre, first published in the late 1970s. The book has been popular for decades, so we adapted it faithfully. As an actor, you have to remain pure to the material. If you get caught up in these concerns, you can’t do justice to the work.”
He adds, “As an artist, you can’t please everybody. At the end of the day, everyone has their own opinions. People who try to please everyone might end up sacrificing something. You have to be true to the material. The best way to please anyone, whether personally, professionally, or artistically, is to stick to what’s true and honest. Don’t play to the gallery, or just try to appeal to others’ expectations. Just make something truthful and correct. If something is untrue, it will be discovered eventually. People are smart, especially with social media these days. If you do the right thing, the rest will follow.”
Zakaria further says that history is always open to interpretation, and no matter how much research one does, there will always be voices and perspectives on it. “I think it’s great that everyone has access to these debates now…But as an audience, we want you to feel as if you’re sitting across the boardroom, watching these historical figures make their decisions. Whether they were right or wrong is subjective—it’s your perspective. We’re not trying to alter that. You may come in with a certain set notion, and that’s fine, but we’ll show you the circumstances, pressures, and reasons behind their actions,” he says.
During the conversation, Zakaria also weighed in on the rise of history-based webs shows on OTT platforms. He believes historical stories are finding greater success on OTT because they allow for deeper exploration of characters and themes. “The long-format nature of OTT platforms allows stories to unfold over time. You can play with subjects, formats, and genres without being bogged down by commercial trappings. Characters are better defined, and there’s more room for exploration.”
He credits this format for making historical narratives more accessible and engaging. “India has so many untold stories—heroes, survivors, revolutionaries—from every corner of the country. OTT platforms offer the space to explore these stories in depth, which theatrical releases often cannot accommodate,” he wraps up.
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