India
Security forces and terrorists are currently engaged in combat in J&K’s Kupwara.
Security Forces and Terrorists Engage in Combat in J&K’s Kupwara: Upholding Peace Amidst Conflict
The persistent conflict in the state of Jammu and Kashmir (J&K) has been a longstanding issue that demands continuous attention and efforts to restore peace. Unfortunately, the region once again witnesses the clash between security forces and terrorists, this time in the district of Kupwara. As the combat unfolds, it is crucial to understand the complexities of the situation and the challenges faced by both the security forces and the local residents who yearn for peace.
Kupwara, a district located in the northern region of J&K, has been a hotspot of militancy and unrest for many years. It shares its border with Pakistan-administered Kashmir, making it susceptible to infiltration and cross-border tensions. The rugged terrain and dense forests provide an advantage to terrorists seeking to carry out their activities. The recent engagement between security forces and terrorists highlights the persistent threat faced by the region.
The security forces, comprising the Indian Army, paramilitary personnel, and local police, play a crucial role in maintaining peace and security in Kupwara. Their primary objective is to neutralize terrorists and ensure the safety of civilians. These forces operate in a highly challenging environment, facing a determined adversary that often resorts to asymmetric warfare tactics. They rely on intelligence networks, surveillance technology, and extensive training to carry out counterinsurgency operations while minimizing civilian casualties.
Combatting terrorism in J&K presents a multitude of challenges for the security forces. The difficult terrain, including mountains and dense forests, makes it easier for terrorists to hide and launch surprise attacks. The porous border with Pakistan poses a significant infiltration threat, with terrorists frequently crossing over to carry out their nefarious activities. Additionally, the local support and sympathy that terrorists receive from certain sections of the population make it harder for security forces to gather intelligence and maintain trust within the community.
While security forces engage in combat with terrorists, it is the innocent civilians caught in the crossfire who bear the brunt of the conflict. The residents of Kupwara face constant fear, uncertainty, and disruptions in their daily lives. They are subjected to security checkpoints, curfews, and restricted movements, impacting their social and economic well-being. The situation also puts children’s education at risk and hampers the region’s development prospects.
Resolving the conflict in Kupwara and other parts of J&K requires a comprehensive and holistic approach. While security operations are essential for neutralizing terrorist elements, it is equally crucial to address the underlying causes of militancy. Socio-economic development, youth engagement, education, and community outreach programs can help channel the energies of the local population towards constructive paths. Dialogue and negotiations between stakeholders are vital to finding a long-term and sustainable solution.
The conflict in J&K has garnered attention globally, and international support and cooperation are vital for resolving the issue. Neighboring countries, including Pakistan, must play a constructive role by addressing cross-border infiltration and cutting off support to terrorist organizations. Diplomatic efforts, aided by regional and international organizations, can help facilitate dialogue between India and Pakistan, leading to a peaceful resolution that benefits both nations.
The ongoing combat between security forces and terrorists in Kupwara underscores the complexity and challenges faced in maintaining peace in Jammu and Kashmir. It is crucial to recognize the dedication and sacrifice of the security forces while simultaneously working towards addressing the root causes of militancy. Through a holistic approach that combines security operations, socio-economic development, and diplomatic.
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Entertainment
In Sandeep Singh’s “epic saga of the pride of Bharat,” Rishab Shetty will portray Chhatrapati Shivaji Maharaj.
Rishab Shetty to play Chhatrapati Shivaji Maharaj in Sandeep Singh’s ‘epic saga of the pride of Bharat’
Rishab Shetty unveils his first look as Chhatrapati Shivaji Maharaj from Sandeep Singh’s historical epic, reveals film’s release date.
After unveiling his look for the sequel to Hanu-Man, Rishab Shetty has once again surprised the audience with his first look from Sandeep Singh’s historical epic, Chhatrapati Shivaji Maharaj. The National Award-winning actor has been introduced as Shivaji Maharaj in the first poster.
(Also Read: Kantara Chapter 1 first look teaser: Rishab Shetty holds trident in bloody new look. Watch)
Rishab Shetty first look as Chhatrapati Shivaji Maharaj
Rishab Shetty took to X (formerly Twitter) and shared the first look poster of his upcoming film, Chhatrapati Shivaji Maharaj and captioned the post, “Our Honour & Privilege, Presenting the Epic Saga of India’s Greatest Warrior King – The Pride of Bharat: #ChhatrapatiShivajiMaharaj. #ThePrideOfBharatChhatrapatiShivajiMaharaj. This isn’t just a film – it’s a battle cry to honor a warrior who fought against all odds, challenged the might of the Mighty Mughal empire, and forged a legacy that can never be forgotten.”
He further revealed in his post that the film will release in theatres in January, 2027 and wrote, “Get ready for a Magnum Opus Action Drama, a cinematic experience unlike any other, as we unfold the untold story of #ChhatrapatiShivajiMaharaj. Global Release on 21st January 2027.”
Fans showered love on the Kantara actor. One of the comments read, “This man is on a mission to make Sandalwood industry proud.” Another user wrote “Wow this could be epic !!” Another fan commented, “Hanuman movie, Shivaji biopic leading pan-India name from KFI right now, ATB Shetre (salute emoji).”
The film will be directed by Sandeep Singh who is best known for backing several acclaimed films including Priyanka Chopra-starrer Mary Kom, Amitabh Bachchan-starrer Jhund. Chhatrapati Shivaji Maharaj will thus mark Sandeep Singh’s theatrical directorial debut.
Rishab Shetty upcoming films
Rishab Shetty is currently working on the prequel of his blockbuster Kantara. Titled, Kantara: Chapter 1, the film is slated to release in theatres on October 2, 2025. The film is being backed by Hombale Films and will be released in English, Bengali, Tamil, Telugu, Malayalam, Kannada and Hindi. Apar from this, Rishabh Shetty will also be seen headlining Prasanth Varma’s Hanu-Man sequel wherein he will be playing the role of Hindu deity, Lord Hanuman.
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Sports
Ding grabs hold of the jaws of defeat.
Ding snatches draw from jaws of defeat
Gukesh has Ding on the ropes for most of Game 7 but the world champion digs deep to escape with scores level at halfway
Bengaluru: After a quiet game in his previous turn with the White, Gukesh arrived for Game 7, armed and ready to spill blood on the board. He drove daggers through Ding Liren and nearly mummified him before the reigning world champion returned from the dead with some stellar endgame defence to force a draw. The spectators’ arena broke into a rapturous applause as the players shook hands after a game that lasted 72 moves and over five hours. It’s the longest game played so far in this World Championship match and the contest remains tied at 3.5-3.5, with seven more classical games remaining.
It mustn’t be easy for Gukesh to reconcile with a setback like this, having had his opponent on the ropes through the greater part of the game. “It’s never pleasant to miss a winning position but I’m happy that I could outplay my opponent quite easily in the opening,” said Gukesh in the press conference that followed, “It’s a missed chance but he also missed some chances earlier in the match… but quite a few positives to take away from it. I guess the biggest lesson is to stay focused and convert good positions.”
The Indian teen won the opening battle on trotting out 1.Nf3 for the first time in this match and went on to uncork a rare, ingenious 7.Re1 move that was clearly cooked up by his team. It cast Ding right away into contemplation for over 20 minutes. “Re1 is a relatively new move and the point was to go dxc4-e4 and get a new position on the board… he didn’t react in a very precise way so I guess the idea worked,” Gukesh said.
Ding later admitted that he was completely thrown off by the move. “I came back from the toilet and was totally shocked,” he said. “I took a lot of time to come up with a reply. Even then it wasn’t accurate.” The world champion ended up responding with the principled 7. dxc4 which led to a fascinating fight for the centre. Ding was soon down to 24 minutes on the clock by move 21.
Gukesh went on to make the strategic mistake of rushing to trade the dark-squared bishops, and then went after Black’s c4 pawn. Here he perhaps overlooked Ding’s resource of springing his knight back into the game. Ding defended bravely and even looked like he might make it over the line alive, with a draw. All he had to do was manoeuvre his knight, hit move 41 and then figure out the rest. But nerves can make players do the inexplicable things. With the clock ticking down to its dying seconds on move 40, Ding blundered. Seven seconds on his clock, he pushed his King to the e5 square instead of galloping his knight to c8 – which would have kept his drawing chances intact. Leela Chess Zero right away pegged Gukesh’s chances for a win at 75 percent, from roughly 19 percent.
After the players reached time control, Ding was on the ropes. Down a pawn, with a weak king on d5 in an objectively lost endgame, he was again back burning through his clock, shaking his head, occasionally looking up at his opponent and trying to pick out the right move out of twenty-odd tempting, false continuations. Gukesh sat at the other end, hands folded across his chest, watching the reigning world champion suffer. Around move 44, Leela gave Gukesh 92 per cent chance of winning the game.
But after spending over 22 minutes trawling through defensive resources, Ding had a few answers. “I was fearing that I was getting outplayed,” Ding said, “But my position was maybe not so bad, I should be more confident of my position.”
Gukesh’s decision to go Bd1 on move 46 allowed Ding to stir up activity. It’s here that Ding brought his endgame skills and resilience to bear – not faltering, even though Gukesh found ways to keep the game going.
Ding’s idea was to restrict White’s bishop and drum up counterplay for his knight. Black’s knight was centralised, King was activated while White’s bishop was on the first rank. Ding went on to trade off the rooks and got rid of White’s final pawn to make a miraculous escape and take a half a point for his efforts. Ding’s team heaved a sigh of relief. “Today I did not give up in a very difficult position… My second (Ni Hua) said I saved my life,” Ding told Chess.com. In the end it was brilliant preparation from Gukesh, outplaying his opponent thoroughly before the reigning world champion dug deep and summoned a fightback. Gukesh was not quite able to see through his opponent’s resources in the endgame.
The match moves to Game 8 on Wednesday and Ding will have the White pieces. It’s possible he might want to play a solid, quiet game and we could see the fireworks back again for Gukesh’s game with the White pieces on Thursday.
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Music Industry
Neha Bhasin criticises “below-average male rappers” for their derogatory lyrics about women: Does the hypocrisy have an end?
Neha Bhasin lashes out at ‘below-average male rappers’ for offensive lyrics on women: Is there a limit to the hypocrisy?
Neha Bhasin called out the sexism in the music industry in a new post on her Instagram. The singer said that even the audience are normalizing the lines.
Singer Neha Bhasin did not mince words in her new Instagram post, slamming below-average male rappers and audiences for normalising offensive lyrics. The singer said that not only are these male rappers continuing to pen these songs, but even the audience are complicit in being okay with it. (Also read: Anurag Kashyap’s daughter Aaliyah Kashyap and Shane Gregoire kick off wedding prep; Khushi Kapoor offers sneak peek)
Neha Bhasin calls out sexism in music industry
Neha took to her Instagram on Wednesday morning and wrote a statement that read: “Am so fed up of below average male rappers and wanna be singers calling women weird stuff in their songs. And all Indian men and women folks are OK WITH IT. Is there a limit to the hypocrisy in India? Ladka kare to bhai, dude. Ladki kare toh character dheela (If men do it they are called a dude, but if the women does the same, she is called loose character).”
‘I am certainly not a banta ki bottle’
The singer did not take any names of singers or male rappers in the post. In the caption, she wrote: “I don’t have a cage i want to open. I am not doodh malai and I am certainly not a banta ki bottle. Grow the F up already.”
Reacting to the post, when a user commented, “Tumhara character dheela hi hai (You are character dheela).” She schooled the user and replied, “all mediocre frustrated people feel that way.”
Neha Bhasin has worked with several well-known music directors in the industry and sung songs like Asalaam-e-Ishquum from Gunday, Dhunki from Mere Brother Ki Dulhan, Swag se Swagat from Tiger Zinda Hai among others.
The singer often takes to her Instagram to share updates about her health and spread awareness. She had earlier shared that she had Premenstrual dysphoric disorder (PMDD), a severe form of PMS, from her teenage years.
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